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Remembering the queer authors who changed fiction forever

Children's books are often one of the most important parts of growing up – they inform literacy, emotions and creativity. And so many important children’s and illustrated books were written by queer authors, who have always existed in the space, even if the public never realised it. While many of these writers chose not to make their identity the central tenet of their output, their lived experiences informed so much of the writing they published.

Sex Parties Actually Bring Me Closer to My Partner

Sophie takes a deep breath before heading down the concrete steps into what looks like an underground cellar, its dark entrance concealing the feverish passions within. (Her name, and all names in this story, have been changed to protect privacy.) She takes a step forward and relaxes. She knows this passage well. What might seem like an unassuming hole-in-the-wall to many is a gateway into a world of fantasy – a party where (almost) anything goes. She grabs her partner’s hand and walks ahead.

Space scandal: The letters that were never meant to reach the moon

Back in July 1971, the astronauts of Apollo 15 carried approximately 400 unauthorised postal covers – envelopes with stamps and addresses on them – into space in a bid to make profit and support their families at home, with what would be coveted collector’s items. What followed was years of public fallout; with NASA, the astronauts, the US government and a mysterious German seller all involved. Expert in Stamps Jean-Eudes Schoppmann recounts one of the more scandalous chapters in stamps history.

How the Orient Express became the world’s most famous train

Few trains are as well-known as the Orient Express. A snaking train ride that took passengers on a journey across continental Europe from Paris to Istanbul, the Orient Express was a symbol of old-world glamour and escapism; attracting illustrious figures from all corners of the world and inspiring numerous works of literature. Yet its lavish reputation also drew in a wealth of intrigue, scandal, and even criminality in its lifespan.

Such is the Power of Sides

10 pm in Madrid. It’s a searing hot July day even at this time, when constellations of crowds disperse into smaller clusters, trickling into restaurants for food and respite. From inside this Galician restaurant, the noise swells from a gentle clicking of cutlery to an ambient buzz. Royal blue-studded ceramic plates play off against the teak wood of the table and chairs, and exposed bulb pendants bask the brick walls in a spectral glow.

When I don't know what to say, I cook

"How about your lasagna?” asked my boyfriend, on one of those anonymous nights in quarantine that blend into so many. We’d fallen into the inevitable quagmire of what to have for dinner, something that throughout the pandemic became the north star of our day, the current that kept us moving. “That is, if it’s not too much trouble. I’m happy to help”, he added. I nodded. It would never be too much trouble really, but I felt more eager to make it detecting the gentle plea in his voice. I knew it was his favourite dish of mine. Not because it was anything particularly ground-breaking but for the opposite; because it represented something comforting, something familiar. While the act of making lasagna—dutifully chopping up the veg, simmering the ragu, whipping the bechamel into excruciating smoothness and carefully layering the golden cuts of pasta one by one—might seem like a labour of love for him, in hindsight I can see it’s always been more gratifying for me.

How we fell for the lie of whiteness in classical sculpture

Grand statues of ancient figures, chiseled from marble into elegant, shapely perfection, has long been the image we associate with classical sculpture. These statues are also usually white, but history—at least the one we’ve gradually begun to uncover—tells us that ancient marble statues once radiated colour. Ancient art and archaeology expert, Peter Reynaers, sat down with us to explain how nature and prejudice have white-washed classical sculpture. Back when Pompeii still stood, there was a

Navigating the unspoken: the importance of taboo art

Back in 1934 in Washington D.C, something unusual happened. A painting titled The Fleet’s In! by Paul Cadmus was unceremoniously removed from The Corcoran Gallery of Art. The removal was ordered by the U.S. Navy, when retired Admiral Hugh Rodman saw an exhibition preview and—outraged by the painting’s contents—wrote furiously in an open letter to various papers condemning the artwork and its depiction of navy officers. He described it as “a most disgraceful, sordid, disreputable, drunken brawl”

The lasting legacy of queer-coded Disney villains

The fictional villains of Disney films are both revered and feared, but their inspiration took root in real individuals—most of whom were queer. From The Little Mermaid’s Ursula to The Lion King’s Scar, these characters were queer-coded—an incorporation of stereotypical traits and characteristics like pronounced femininity or masculinity often associated with queer people—inspired from a time when depictions of homosexuality were taboo in motion pictures.

To the future, to the north

What does innovation mean in the Nordic context? The ideas changing the way we live, big or small, share a red thread – whether they’re coming from a huge multinational like H&M, a niche start-up with a vision to connect the world, like Mapillary, or even a beauty brand challenging the corporate norm. “It’s about equality, it’s about fairness, it’s about humanity,” replies Simon Caspersen, the co-founder of IKEA’s external ideas lab, SPACE10, when asked what characterizes new thinking in the north. Those shared values have been around long before tech start-ups and the circular economy – and it’s likely that whatever the new ideas to come, those values will still lie at the core of Nordic innovation.
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The devil you know: exploring literature's fascination with Satan

Theologically inclined or not, you've likely heard of the devil. A manifestation of evil that takes up a different form and name depending on the cultural lens you view it through, the devil is viewed as history's arch-evil. And yet, the world's creative forces have long looked to evil for inspiration and sometimes respite. Whether it's Lucifer, Beelzebub or Satan, has profiled the nuance and complexity of evil and even found liberation in it.
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